Thursday 15th January 2026 10.45am repeated 2.15pm at The Henley Rugby Club. Live transmission morning only. For more information on all lectures please contact Sarah Barry on SarahBarry63@yahoo.co.uk or 07879 611782.
Chris Aslan
Despite the flourishing of Russian Avant-Garde Art during the first 30 years of the 20th Century, as Stalin rose to power, he banned all but Socialist Realist expressions of art. To own anything else was dangerous enough but to start collecting it was unthinkable.
And yet this is what Igor Savitsky did.
Igor Savitsky travelled throughout the Soviet Union, buying, bribing and cajoling until he’d amassed the second largest collection of Russian Avant-Garde art in the world. The State Museum of Karakalpakstan, situated near the south shores of the Aral Sea is now a Mecca for art lovers. Its remote location in the desert oasis of Khorezm, meant that Savitsky was able to get away with such subversive activity, because even the authorities in Moscow were a little hazy as to where exactly Karakalpakstan was.
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Savitsky promoted Russian artists sent to Central Asia in exile and the works of the first Central Asian artists to paint their own people and landscapes.
Chris Aslan was born in Turkey (hence the name Aslan) and spent his childhood there and in war-torn Beirut. After school, Chris spent two years at sea before studying Media and journalism at Leicester University. He then moved to Khiva, a desert oasis in Uzbekistan, establishing a UNESCO workshop reviving fifteenth century carpet designs and embroideries, and becoming the largest non-government employer in town. He was kicked out as part of an anti-Western purge, and took a year in Cambridge to write A Carpet Ride to Khiva. Chris then spent several years in the Pamirs mountains of Tajikistan, training yak herders to comb their yaks for their cashmere-like down. Next came a couple more years in Kyrgyzstan living in the world’s largest natural walnut forest and establishing a wood-carving workshop. Since then, Chris has studied and rowed at Oxford, and is now based in Cambridge, but with plans to move to North Cyprus. When he’s not lecturing for The Arts Society, he writes.