• Henley DFAS

Hogarth at the Hustings: The Election Entertainment Series and the Birth of Political Satire

Hogarth at the Hustings: The Election Entertainment Series and the Birth of Political Satire
Thursday 18th September 2025 10.45am repeated 2.15pm at The Henley Rugby Club. Live transmission 10.45am only. For more information on all lectures please contact Sarah Barry on SarahBarry63@yahoo.co.uk or 07879 611782.
Rupert Dickens
Review of the lecture:

The Humours of an Election is a set of four oil paintings and engravings by William Hogarth. These were prompted by an election in Oxfordshire in 1754, the first there in over 20 years. The series was created in 1755-6. The first, an Election Entertainment, shows a meeting of the Whig party organising canvassing, with the Tory party shown in the background outside.  This was at a time before the Great Reform Act, of no secret ballots and much bribery and intimidation of the small (male and property-owning) electorate.  The painting showed the candidates, the mayor (in a state of inebriation) and many other figures, with bricks being thrown and other intimidation.  The second painting, Canvassing for Votes, shows the rival parties gathering outside neighbouring pubs, with bribery of the electorate and many shenanigans.  The third, The Polling, shows the actual election, with further bribery, and even a dead body being carried up to vote.  The fourth, Chairing the Member, shows the aftermath, as a mock triumph of a Roman general, with one of the new members being carried through the town but on the verge of being toppled from his chair. 

Ian Hislop, the editor of Private Eye, said that each painting had one big joke and many small jokes.  Our expert speaker, Rupert Dickens, showed us both the overall pictures but also many of the details that compose the small jokes, and also the many visual references to earlier religious and other painting.  The paintings were also reproduced as print series, and he pointed out many of the small detail differences between the paintings and the prints.  He then brought us up to date with the influence of Hogarth on more recent political humour, contrasting the paintings to the more caricatured representations of Gilray and others right up to illustrations in cartoons this year that quote from Hogarth’s visual language.

Rupert Dickens is an art historian based in south London.  He originally read PPE in Oxford and had a 26-year career in the BBC.  He then retrained in art history at Birkbeck College before undertaking a Masters in Dutch Golden Age Studies at University College London.  He now lectures at the Wallace Collection.  He greatly entertained and informed the TASH members with a witty, erudite and thoughtful lecture.

Professor Robert Gurney

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The long British tradition of political satire has come to the fore recently following the year of a General Election. At the root of that tradition is William Hogarth’s Election Entertainment series of paintings and prints from the 1750s.
(Please click on the blue print above to continue reading)
 
His ruthless exposure of electoral corruption and hypocrisy sets the stage for later generations of satirists including James Gillray, Private Eye and today’s digital artist Cold War Steve. We will look closely at the Election series, explain Hogarth’s many jokes and references and reveal some themes with surprising topical relevance, from voter identification to the politics of immigration.
 
 
Rupert Dickens is an art historian based in south London with a special interest in Dutch and Flemish 16th and 17th century painting. He works at the Wallace Collection as a guide conducting public and private tours and lecturing on aspects of the collection. Rupert has accompanied groups on art-themed tours to the Netherlands, Belgium, France, Austria and Italy. He has lectured to large audiences on subjects as diverse as the game of chess in art and Madame de Pompadour’s artistic patronage in 18th century France. He studied art history at Birkbeck College before undertaking a Masters in Dutch Golden Age Studies at University College London. Before that Rupert had a 26-year career as a BBC journalist ending as an editor in radio news.